KANGXI PERIOD (1661–1722)

BY THE TEUO-TCHENG MANUFACTORY, BEIJING, LATE QING DYNASTY (LATE 19TH CENTURY)

QIANLONG PERIOD (1736–1795)

MARK OF JOHN SWIFT, LONDON, 1738

CHINA, TRANSITIONAL PERIOD, CIRCA 1643–1646

MID-19TH CENTURY

CIRCA 1775

MARK OF BENJAMIN SMITH, LONDON, 1812

BY THOMAS COMPIGNÉ, CIRCA 1775

PROBABLY ROME, LATE 18TH CENTURY

AFTER A MODEL BY BRÉCOURT, LAST QUARTER 18TH CENTURY

THE CASE AUGSBURG CIRCA 1680; THE DIAL AND MOVEMENT JOSEPH MARTINEAU, LONDON, CIRCA 1760

MID-18TH CENTURY

BY LEONARD BOUDIN, CIRCA 1750

CIRCA 1740, BLUE CROSSED SWORDS MARK, PRESSNUMER 21 TO EACH

STAMPED BY PIERRE ROUSSEL, MID-18TH CENTURY

MARK OF ASPREY AND COMPAGNIE LIMITED, LONDON, 1989

CIRCA 1760

DATED 1785, LL INTERLACED, LETTER-DATE HH FOR 1785

MARK OF GEORGE WICKES, LONDON, 1738

MARK OF WILLIAM B. DURGIN CO., CONCORD, NEW HAMPSHIRE, EARLY 20TH CENTURY

LL INTERLACED, LETTER-DATE HH FOR 1785

MARK OF VARIOUS MAKERS INLCUDING MAISON ODIOT AND PIERRE QUEILLE, PARIS, CIRCA 1890-1900

LATE 19TH AND 20TH CENTURY, BLUE CROSSED SWORDS MARKS, PRESSNUMERN AND VARIOUS INCISED NUMERALS

MANUFACTURED BY BERNARDAUD, 20TH CENTURY

MARK OF NAYLER BROTHERS, LONDON, 1958, FOR JAMES ROBINSON, NEW YORK

ULM, CIRCA 1590, MAKER'S MARK AN UPRIGHT ARROW FLANKED BY TWO PELLETS

MARK OF GUSTAVE LEROY ET COMPAGNIE, PARIS, VERS 1895

ATTRIBUTED TO CHARLES CRESSENT, CIRCA 1725

ITALIAN, PROBABLY GENOESE, LATE 17TH CENTURY

ROME, MID-18TH CENTURY

PROBABLY VIENNESE, LAST QUARTER 18TH CENTURY

LATE YONGZHENG PERIOD/EARLY QIANLONG PERIOD, CIRCA 1723–1795

THE CASE ATTRIBUTED TO JOSEPH DE SAINT-GERMAIN, AFTER A MODEL BY CHARLES CRESSENT, WITH THE MOVEMENT BY JEAN MOISY, CIRCA 1750

LATE QING DYNASTY, LATE 19TH/EARLY 20TH CENTURY

SIGNED BY LOUIS MANGEANT, CIRCA 1775

STAMPED BY JOSEPH STOCKEL, LAST QUARTER 18TH CENTURY

CIRCA 1815

ATTRIBUTED TO WERNER & MIETH, BERLIN, CIRCA 1800

STAMPED BY PIERRE BERNARD, CIRCA 1780

LOMBARDY, CIRCA 1780

BY DAVID ROENTGEN, GERMANY, LAST QUARTER 18TH CENTURY

FIRST QUARTER 19TH CENTURY

MID-19TH CENTURY, AFTER A MODEL BY FRANCOIS REMOND

STAMPED BY ETIENNE LEVASSEUR, MARQUETRY BY NICOLAS SAGEOT, PROBABLY COMMISSIONED BY CLAUDE FRANÇOIS JULLIOT, CIRCA 1780–1790

SECOND QUARTER 18TH CENTURY, POSSIBLY GERMAN

BY MATHIEU CRIAERD, MID-18TH CENTURY

SECOND HALF 18TH CENTURY

CIRCA 1800–1810, ALMOST CERTAINLY BY THE PIAT LEFEBVRE WORKSHOP, THE DESIGN BY JACQUES-LOUIS HAMAYDE DE SAINT-ANGE

ANDREÆ AKERMAN (C.1723–1766) AND FREDERICK AKREL (1748–1804)

BY GIUSEPPE VALADIER, ROME, CIRCA 1795

SULTANABAD REGION, WEST PERSIA, CIRCA 1880

NORTH INDIA, CIRCA 1860

SULTANABAD REGION, WEST PERSIA, CIRCA 1890

IRELAND, CIRCA 1900

SULTANABAD REGION, WEST PERSIA, CIRCA 1880

ENGLAND, LATE 18TH CENTURY

WEST PERSIA, CIRCA 1880

CIRCA 1770

CIRCA 1820, ATTRIBUTED TO JOHN BLADES

CIRCA 1780, ATTRIBUTED TO GILLOWS

MID-18TH CENTURY, PROBABLY NORTH EUROPEAN

DATED 1881, BLUE CROSSED SWORDS MARKS, INCISED MODEL NO. H 161, PRESSNUMMER 8, THE DESIGN ATTRIBUTED TO E.A. LEUTERITZ

AFTER THE DESIGN BY HENRY EDMUND GOODRICH, CIRCA 1831

CIRCA 1815

CIRCA 1740, IN THE MANNER OF GILES GRENDEY

BY THOMAS CHIPPENDALE, CIRCA 1770

BY EDWARD F. CALDWELL & CO., NEW YORK, CIRCA 1905–1910

THE DIAL BY PIAT-JOSEPH SAUVAGE, THE CASE AFTER A DESIGN BY FRANCOIS REMOND ('PENDULE A L'ÉTUDE ET LA PHILOSOPHIE'), CIRCA 1790

ATTRIBUTED TO GIUSEPPE MARIA BONZANIGO, PIEDMONT, CIRCA 1780

ATTRIBUTED TO GIUSEPPE MARIA BONZANIGO, PIEDMONT, LATE 18TH CENTURY

VENICE, MID-18TH CENTURY

SICILY, EARLY 19TH CENTURY