'Chèvre, bouc et deux biquets', models created in 1998-1999

'Brebis, Agneau n°1, Agneau n°2 et Agneau n°3', 1999

'Poulain', model created in 2006

'Grands canards indiens', model created in 1999

'Petite I', model created in 2000

'Petite II', model createdin 2000

'Petite III', model created in 2003

A set of six 'suricates', model created in 1997

'Poule', model created in 2002

ATTRIBUTED TO NICOLAS-FRANCOIS-DANIEL LHUILLIER (1736-1793), CIRCA 1780

ENGLAND, EARLY 19TH CENTURY

COMPANY SCHOOL LUCKNOW OR CALCUTTA, INDIA, CIRCA 1775-85

COMPANY SCHOOL LUCKNOW OR CALCUTTA, INDIA, CIRCA 1775-85

COMPANY SCHOOL LUCKNOW OR CALCUTTA, INDIA, CIRCA 1775-85

20TH CENTURY, BLUE WAVE AND GREEN PRINTED MARKS

CIRCA MID-5TH CENTURY B.C.

A nude woman playing a flute, seen from behind

BY GEORGES JACOB, CIRCA 1775

CIRCA 1900

THE MOVEMENT BY JOSEPH WALTRIN, PARIS, MID-18TH CENTURY

ATTRIBUTED TO FREDERICK HINTZ, CIRCA 1740

LATE 18TH CENTURY

BY MAURICE BERNARD EVALD, CIRCA 1770, PARTIALLY REMOUNTED

CIRCA 1720, THE LACQUER LATE 17TH CENTURY, EDO PERIOD

18TH CENTURY

ATTRIBUTED TO ADAM WEISWEILER, CIRCA 1790–95

BY ADRIEN DELORME, CIRCA 1750

THE CASE ATTRIBUTED TO JOSEPH DE SAINT-GERMAIN, AFTER A MODEL BY CHARLES CRESSENT, WITH THE MOVEMENT BY JEAN MOISY, CIRCA 1750

BY RENE DUBOIS AND PHILIPPE MONTIGNY, CIRCA 1775

VENICE, MID-18TH CENTURY

ATTRIBUTED TO GIUSEPPE MARIA BONZANIGO, PIEDMONT, LATE 18TH CENTURY

ATTRIBUTED TO GIUSEPPE MARIA BONZANIGO, PIEDMONT, CIRCA 1780

PROBABLY ROME, LATE 18TH CENTURY

BY GIUSEPPE VALADIER, ROME, CIRCA 1795

SICILY, CIRCA 1775

BY THE TEUO-TCHENG MANUFACTORY, BEIJING, LATE QING DYNASTY (LATE 19TH CENTURY)

FLORENCE, LATE 19TH CENTURY

FLORENCE, LATE 19TH CENTURY

KANGXI PERIOD (1661–1722)

LOMBARDY, CIRCA 1780

NAPLES, CIRCA 1800

SICILY, EARLY 19TH CENTURY

ATTRIBUTED TO CHARLES-GUILLAUME WINCKELSEN, CIRCA 1865, AFTER THE MODEL BY ANDRE-CHARLES BOULLE

[HUANG, Qianren (1694-1771)]